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Liz Langemak, “On Terror: Reading Anne Sexton’s Vampire Story”

screen-shot-2011-10-15-at-7-06-26-pmHow will we know if our work is good? If it’s horrifyingly bad? As writers, we rely on a complex weather system of approvals and disapprovals from trusted readers, peers and publications, and we develop inner barometers to give us readings on the quality of our work. But what happens if we don’t?

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